I just shot a catalog using Danny Fuller and his new wingman, Skelly. I’ve never worked with a skeleton before, and discovered it poses some serious challenges. The guy is more demanding than your most prima donna model. Every little joint has to be taped, tied, wired, or somehow rigged into position. The clothes don’t fit so smart, either. All it takes is the wind to blow or someone to look at him sideways, and it's back to the drawing board. It proved to be a long, hot, and humid day, and this bag o bones really tested our patience. At the end of the day, I think all of our hard work paid off…though I’ll think twice about bringing that skinny bitch back on the job!
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